Written by Paul Fromm
Wednesday, 26 August 2009 06:12

*Inglourious Basterds* *Trevor Lynch*<>

*[image: inglourious-basterds]*Quentin Tarantino’s *Inglourious
Basterds*[sic, sic] has been hyped as World War II action
gorefest. In reality, it is a self-indulgent snorefest. I thought I would
need a gin and tonic before I went in, but it turns out what I needed was a
cup of coffee. Yes, there is some gore and sadism, but frankly I found
myself hoping for more of it. Anything, really, to relieve the sheer

This is Quentin Tarantino’s worst movie, and that is saying a lot, given how
bad *Kill Bill<>
*, vol. I<>is.
*Pulp Fiction* was Tarantino’s *Citizen Kane*, and it has been *The
Magnificent Ambersons* ever since. If you find this review entertaining, let
me assure you that it is far more entertaining than the movie itself.
Nothing here should be interpreted as encouragement for you to waste your
time and money on this preposterous and dull film.

*Inglourious Basterds* is about a team of American terrorists, consisting of
seven Jews led by a gentile, Aldo “the Apache” Raine (played by Brad Pitt),
who hails from Tennessee and claims to be part American Indian. The
character is clearly based on Tarantino himself, since he too has an Italian
name, hails from Tennessee, and claims to be part Cherokee. The mission of
the Basterds is to terrify the Nazis by killing them in the most sadistic
manner possible and mutilating their corpses. The dead are scalped. The
survivors have swastikas carved in their foreheads.

Holocaust narratives are filled with tales of thousands of Jews herded to
their doom by relative handfuls of Germans and their collaborators. Although
this sheep-like behavior seems rather unlike the hyper-aggressive and unruly
Jews of my acquaintance, most people accept it at face value and then
wonder: What was wrong with these people? Why didn’t they fight back?

Tarantino has asked the same question, and *Inglourious Basterds* is his
answer. During WW II, the Jews needed the leadership of someone like Aldo
the Apache, a mostly white man with a bit of red savage mixed in, just like
the people who have churned out six million holocaust flicks need to take
direction from Quentin Tarantino. With Tarantino in charge, the war would
have had a very different end, and *Inglourious Basterds *shows us how.

Should Jews be insulted by this premise? Of course they should. But the
movie itself is far more insulting still. Indeed, this is probably the most
anti-Semitic movie ever released by Hollywood. Tarantino’s Jewish characters
are one-dimensional, inhuman monsters. The Jewish Basterds are all as ugly
as *Der Sturmer* cartoons. They have virtually no lines in the entire movie.
All they do is skulk around, waiting for Aldo the Apache’s commands to
murder and torture Germans.
[image: rothpitt]

Eli Roth and Brad Pitt, Basterds

The most prominent of the Basterds is played by Eli Roth, just another
degenerate Jewish director of repulsive horror films. Roth plays the “Bear
Jew,” who beats Germans to death with a baseball bat. He is the funniest
thing in the entire movie, with his pouting, prissy mouth, drag queen
makeup, and shiny brilliantined coiffure. Roth’s large, hairy body (anybody
can take steroids) looks menacing until one hears his high, hysteria-edged
voice. There was laughter in the audience every time this castrated gorilla
opened his mouth on screen.

Too shallow to realize that he was playing a monstrous buffoon, Roth really
got into the role, praising *Inglourious Basterds* as “kosher
(is there any other kind?). He really gets off on fantasies of killing
Nazis: “It’s almost a deep sexual satisfaction of wanting to beat Nazis to
death, an orgasmic feeling. My character gets to beat Nazis to death. That’s
something I could watch all day. My parents are very strong about Holocaust
education.” They sound like lovely people, and I am sure they are really
proud of what a successful boy Eli turned out to be.

Other Jews were equally smitten: Tarantino’s producer, Lawrence Bender,
told Tarantino, “As your producing partner, I thank you, and as a member of
the Jewish tribe, I thank you, motherfucker, because this movie is a fucking
Jewish wet dream.” Harvey and Bob Weinstein, the film’s executive producers,
also reportedly enjoyed the film’s theme of Jewish revenge.

Tarantino also reported received uniformly positive reactions from his
Jewish friends: “The Jewish males that I’ve known since I’ve been writing
the film and telling them about it, they’ve just been, ‘Man, I can’t fucking
wait for this fucking movie!’” he told me. “And they tell their dads, and
they’re like, ‘I want to see that movie!’”

If all these Jews have no objection to their tribe being portrayed as
one-dimensional vengeful sadists, who am I to complain? Perhaps the shoe
[image: M]

Mélanie Laurent

The most prominent Jewish character in the movie is the blonde-haired,
blue-eyed Shoshanna (played by Mélanie Laurent), the daughter of a Jewish
dairy farmer (that got the first laugh of the movie). Her family is
massacred in 1941 by the SS, and somehow she turns up a few years later with
an assumed French identity running a movie theater in Paris with her Negro
lover. When her theater is chosen to premiere a new German movie in the
presence of Hitler, Goebbels, Goring, Borman, and other leading Nazis, she
plans to bolt the doors and burn the place down as an act of revenge.

Shoshana is a character of reptilian inhumanity. A young German, Frederick
Zoeller (played by Daniel Brühl) is obviously smitten with her. A film
enthusiast, he tries to strike up a conversation about movies. The contrast
could not be clearer. He is warm, sincere, and polite. He sees her as a
fellow human being and a fellow film-enthusiast.

She sees him only as a racial enemy. She takes no interest in him until she
discovers that he is both a film star and a war hero, which she thinks she
can use to her advantage. (He does not reveal these things to her initially,
for he does not merely wish to impress her, but to befriend her.)
[image: bruhl]

Daniel Brühl

Her only flash of human emotion comes at the end of a scene in which she
meets the SS man, Standartenführer Hans Landa (Christoph Waltz), who
murdered her family, but it just heightens the impression that she is a
cold-blooded master of deception and intrigue.

Shoshanna’s inhumanity is heightened by comparison to Uma Thurman’s
revenge-driven character “The Bride” in the *Kill Bill* movies. The
difference is not just a matter of who played the role (although Tarantino
decided that as well) but of how the actresses were directed.

Hans Landa claims that he is effective at hunting Jews because he knows how
they think. The meaning of this is made clear at the end of the film, when
he turns out to be a traitor.

The Allies do not come off much better than the Jews. Aldo the Apache is the
only American. He is a loud-mouthed, sadistic, duplicitous jackass with a
hillbilly accent. Brad Pitt plays him for laughs, and he is genuinely funny.
There are three Britons: the handsome German Michael Fassbender as
film-critic Lt. Archie Hicox, Mike Myers as General Ed Fenech, and the wreck
of Rod Taylor as Winston Churchill. The first two come off as effete
wankers, and Churchill might as well be Jabba the Hutt.
[image: waltz]

Christoph Waltz

All of this is in strong contrast to the portrayal of the Germans, even the
German traitors. First of all, they are mostly quite good-looking and sexy.
(As Jew Mark Steyn pointed out, nobody fantasizes about being tied up and
raped by a liberal democrat.) Second, they are dignified, charming, and
polite with strangers; warm, playful, and fun-loving among friends. Even
though the Germans are supposed to be the bad guys, they are the only people
in the film with whom most white people can readily identify themselves.
This means that white audiences can only feel revulsion at the sadistic Jews
who murder them.

Hitler, of course, is portrayed as a monster. He first appears wearing a
cape, which is appropriate, since he is played as nothing more than a comic
book villain. (Martin Wuttke is surely the ugliest Hitler ever.)

Goebbels, although he is portrayed as somewhat arrogant (like a film
director, perhaps), comes off overall as warm, sincere, playful, and even a
bit lovable(!). Tarantino has obviously immersed himself in German films of
the era, and it is clear that he has some admiration for what Goebbels
accomplished. (In a scene set in England, it is stated as plain fact that
Jews run Hollywood, and Goebbels is given credit for giving them a run for
their money.)

The true star of the film is Christoph Waltz, whose portrayal of Hans Landa
is absolutely riveting. He is such a magnificent character that Tarantino
had to turn him into a traitor in the end, otherwise he would be the true
hero of the film as well.

The other star is Daniel Brühl who Frederick Zoeller, the young war hero who
becomes smitten with Shoshanna. His character is the most likable and most
tragic of the film.

Now let’s examine the climax of the movie. I have no qualms about giving it
away, since I don’t want any of you to see it anyway. Shoshanna hosts the
premiere. Hitler and all the top Nazis come to the theater. She splices her
face into the fourth reel of the film. Once the fourth reel is playing, her
Negro lover bars the doors to the theater. Suddenly, Shoshanna’s face
appears on the screen: “This is the face of Jewish vengeance!” she screams,
while the Negro sets the building on fire. The kindling he uses are movies
printed on highly flammable nitrite film.

[image: kruger-basterd]Meanwhile, two of the Jewish Basterds (including the
preposterous Eli Roth), who have infiltrated the theater without knowing of
Shoshanna’s plot, run amok with machine guns, killing Hitler and Goebbels
and other Nazis. The theater then explodes. Everybody dies, Jews and Germans
alike. *Götterdämmerung*.

The climax of *Inglourious Basterds *is obviously based on the Oscar night
massacre in neo-Nazi Harold Covington’s novel *The
*. If you don’t believe me, read the novel for yourself.

The symbolism and the message could not be clearer: Jews use movies and
movie theaters as tools to destroy their enemies. And since the white people
in the audience can most readily identify with the Germans, the message gets
through: the Jewish movie business is a tool of hatred and vengeance
directed against all white people.

Why would Quentin Tarantino make a movie about World War II in which Germans
are portrayed as attractive human beings, Americans are portrayed as
sadistic buffoons, Englishmen are portrayed as effete wankers, and Jews are
portrayed as cold-blooded, inhuman mass murderers?

Why would Quentin Tarantino borrow plot elements from neo-Nazi Harold
Covington’s *The
*to craft a climax for his movie? Why would he use that climax to expose the
true anti-white agenda of Hollywood?

Is Quentin Tarantino a Nazi-sympathizer?

Of course not. Nothing could be further from the truth. Quentin Tarantino is
simply a nihilist with an unfailing instinct for finding and desecrating
anything sacred. In *Pulp Fiction* — his one great movie, and his most
sincere — Tarantino showed a profound grasp of the spiritual meaning of the
duel to the death over honor, symbolized by the Samurai sword. In *Kill Bill
*, vol. I, he made a giant joke of it.

In *Inglourious Basterds*, Tarantino has taken the one truly sacred myth in
modern Jew-dominated America — especially in modern Hollywood — namely WW II
and the holocaust, and he has desecrated it by inverting all of its core
value judgments and reversing its stereotypes. In the process, he has
exposed the true anti-white agenda of Hollywood. Why? Just because he can.

The fact that Quentin Tarantino could desecrate the holocaust, expose
Hollywood’s agenda, and sell it back to Hollywood’s Jews is a testament to
his twisted genius and their shallowness and moral imbecility.

[image: schwiger]I wish* Inglourious Basterds* were a better movie, since I
think that many white people would benefit from seeing it. Yes, the explicit
message is that it is good for Jews and their hillbilly dupes to
sadistically murder Germans (and any other enemies of the Jews, for that
matter). But the largely white audience with which I saw the film did not
seem terribly comfortable with this message.

Yes, they found Brad Pitt funny. He really was funny. But the sadism
directed at Germans did not amuse. In the last scene of the film, where Aldo
the Apache graphically carves a swastika in the forehead of Hans Landa and
pronounces it “my masterpiece” — pathetically enough, this is probably
Tarantino’s view of the film — there was no laughter.

For the subliminal message was coming through loud and clear: we are all
Germans now, and every time we turn our eyes to a movie screen we are seeing
the face of Jewish vengeance.
Written by Paul Fromm
Tuesday, 25 August 2009 00:57
*Present Immigration & Refugee Policy Means Genocidal Replacement of
Founding Canadians, Demographer Warns*
*TO: The Immigration and Refugee Board of Canada

The reasons for decline of the Canadian birthrate are many, but the most
persistent and damaging of all is the massive alien immigration. This long
term and massive alien immigration has destabilized social and economic life
for working Canadians.
*As the quality of life for Canadians declines on account of alien
competition, young Canadians can no longer afford to have children of their
own. Instead, they are forced to labour for low wages, pay high taxes and
subsidize aliens on welfare and in public housing. Coming back from work,
the Canadians find they have been moved into Third World ghetto.

The result of this perverted immigration policy is:
- this is the law of demography.
*Of course, those who benefit from cheap foreign labour are not willing to
consider that. Multinational and domestic corporations are only too happy to
demand more Third World aliens as a source of cheap labour, and to undercut
jobs and wages for working Canadians. It is a race to the bottom and they
are taking working Canadians with them.

The alien invasion has negatively altered and degraded not only the
economic, but also social life in Canada. Many Aliens have the propensity to
hassle our young women to secure their residence in Canada. It is a sport
for some to parade their trophies in public. arrogance that working
Canadians find so offensive. This social aggression should not be tolerated.

Predatory aliens crowd our justice system with little possibility of being
deported. In fact, they often use their alien status to demand minimum
sentence to avoid deportation. Terrorists and their sympathizers also demand
their entry into Canada's welfare system under any bogus scheme they can
devise. Lately, they use their children as refugees. The bogus refugees are
coached before illegally entering Canada. On account of our so-called
“humanitarian” refugee policy, there is no way for Canadian border officials
to refuse their entry. After the fall of the Stalinist system in Eastern
Europe, there are, in fact, no longer many true political refugees, only
bogus refugee show up. While the Immigration and Refugee Board applies some
U.N. refugee rules, it ignores the U.N. resolution that forbids occupation
of other countries by alien population. In Canada we have no protection
against exotic settlements contrary to the U.N. resolution and contrary to
natural justice.,

The deliberate introduction of exotic aliens is also playing havoc with our
environment. Aliens consume our natural resources, pollute our water and air
and pose a risk of spreading exotic diseases; such as, SARS.

The massive alien invasion of some 265,000 each and every year amounts to
our premeditated national suicide. In due course, it will result in
biological extermination of Canadians, as the aliens will displace our
nation. That is what social engineers have in store for us. At least, one
Canadian government population study predicts our total demise. How clever!.
To live in Canada today is like being in the horror movie Invasion of Body
Snatchers. It is a dark horror story for the European founder/settler
people of this land.indeed.

IRB should reverse the terrible damage it has done to the Canadian
population. The annual number of abortions performed in Canada is closely
related to the annual number of 250,000 immigrants and refugees. This is no
coincidence. In the name of our own preservation, no more aliens should be
allowed to invade Canada. Rather then importing aliens, the IRB should stop
bogus refugee and alien immigrants at the Canadian border.

The first duty of every government is to protect the future of its nation.
Instead, the government through its genocidal immigration and refugee policy
has chosen to displace Canadians with an alien population, and that without
any national debate. Of course, the rulers know that informed Canadians
would not agree to such a bizarre and suicidal scheme. *

*J.J. is a demographer who was trained in Eastern Europe and who practised
his academic discipline in Canada for more than 30 years.*
Written by Paul Fromm
Tuesday, 25 August 2009 00:56
*Official - Holocaust Denial now punishable by Jail in Australia*
*A sad day for Australia*

*Attorneys Sylvia Stolz and Jürgen Rieger at Ernst Zündel's Kangaroo court
proceedings. Both Stolz and Zündel are serving time in German Gulags for
refusing to bow down to the Holocaust religion.*
*Jürgen Rieger background*<>
*14 Jan 2008, Sylvia Stolz - "The biggest lie in world

*Official - Holocaust Denial now punishable by Jail in Australia*
*A sad day for Australia*
*Letters to Dr T**ö**ben should be sent to:*
*Dr. Fredrick T**ö**ben*
*c/o Yatala Labour Prison*
*1 Peter Brown Drive,*
*Northfield, SA 5085*
*Intending visitors please contact myself, Peter Hartung, so that I can let
him know to put you on his visitors list, without which you will be unable
to do so.*
*[email protected] *
*Australian Jews - among the most important backers of Australia's Racial
Vilification Bill<>
*The Executive Council of Australian Jewry, (that is, the self- appointed
representatives of Australian Jewish people) have now used this legislation
on several occasions to silence people or groups who have differing views
concerning the historical reality of the alleged Jewish Holocaust by the
Germans in World War Two.*
*The ECAJ has launched various cases, against a Christian group, an elderly
Widow, and Dr T**ö**ben, who has been persecuted since 1996 by this group:.*
*ECAJ cases under the Racial Hatred Act<>
*Australian law - genuine protection against Holocaust
*Racial vilification law in
*Antisemitic Organisations in
*It is interesting to note that the complainant in this case - Jeremy Jones,
his Barrister - Robin Margo SC, and Norman Scheuler who was interviewed on
Television on several occasions as a spokesman for the Australian Jewish
community, are all associated with the ECAJ:*
*ECAJ Honorary Officers - 2007-2008 <>*
*Voice to be held in contempt
* <,25197,25942955-7583,00.html>
*Freedom of speech should not be freedom to vilify, argue Steven Lewis and
Peter Wertheim (lawyers with Slater and Gordon who ran the racial
vilification and contempt cases against Fredrick Toben)*
*Peter Wertheim is also associated with the ECAJ, as shown
*So, we have here a very small but powerful minority group (representing
approximately 0.6% of the population of Australia), who are able to greatly
influence the introduction of new Laws into this country, and then use these
Laws to pursue their own agenda, namely the protection by Law of the
Holocaust Religion/Dogma. *
*Latest News/Articles*
*Pope Pius XII and Bishop Williamson vs. Elie Wiesel and the Holocaust
*Whom Do You Believe?*
*The Crematoria Ovens of Auschwitz and
*Carlo Mattogno*
* <>* *Dr Töben has been imprisoned for 3 months
Nuremberg style Justice*
*The “Toben Case” as seen by
*Thursday 13th August 2009, Dr Töben's appeal was heard today, beginning at
10.00 AM. Numerous arguments were put forward by the defence barrister Mr
David Perkins. At the end of the hearing the three judges retired for
approximately three quarters of an hour. Upon their return, they read out
the verdict, that the appeal had been rejected, and ordered that Dr Töben
begin his sentence immediately. He peacefully accompanied the two Federal
Policemen who arrived dressed in business suits. Initially he will be taken
to Yatala Labour Prison, from where it will be decided to which prison he
will serve his sentence.*
*Holocaust denier at centre of British legal row is jailed for three months
in Australia*<>

*Toben jailed as appeal
*Holocaust 'revisionist' Fredrick Toben handcuffed, sent to
*According to this article, "HOLOCAUST "revisionist" Fredrick Toben has
finally been silenced and jailed for repeatedly insulting and abusing the
Jewish race via the Internet". It is not clear as to why the 'journalist'
has seen fit to fabricate such nonsense!*

*A sad day for Australia*
*Letters to Dr T**ö**ben should be sent to:*
*Dr. Fredrick T**ö**ben*
*c/o Yatala Labour Prison*
*1 Peter Brown Drive,*
*Northfield, SA 5085
Page 442 of 454
Powered by MMS Blog